Some questions to refresh your minds as we head into the final weeks of class.
Audio
1. Which microphone is the best to use when you are sitting down to interview somebody?
2. Where is this microphone placed on your subject?
3. Which microphone works best when you are going out into the field to cover events like games or auto accidents?
4. Which microphone works best when you are trying to pull sound out of a noisy room? When you want to zero in on a small area of sound?
Cameras
5. What is necessary to get when you are shooting video? In other words, what will prevent you from getting video you can use? There are three answers.
6. What caused this video?
7. Is it broadcast quality? Why or why not?
Audio
1. Which microphone is the best to use when you are sitting down to interview somebody?
2. Where is this microphone placed on your subject?
3. Which microphone works best when you are going out into the field to cover events like games or auto accidents?
4. Which microphone works best when you are trying to pull sound out of a noisy room? When you want to zero in on a small area of sound?
Cameras
5. What is necessary to get when you are shooting video? In other words, what will prevent you from getting video you can use? There are three answers.
6. What caused this video?
7. Is it broadcast quality? Why or why not?
On paper, with stick figures, draw
8. A long shot
9. A medium shot
10. A close up.
11. What type of framing do you use for an interview?
12. When you are shooting an interview, who directs all the technical talent?
13. What do you want to avoid in your background to get good video?
14. Where would you put your subject if you had to interview them in this room?
15. If you could control the equipment, what would you do in this room to get quality audio?
Turn in your answers in a word document when you are done, and Mr. Vela will model a video sweep for you. This is how you get B-roll to use with your interview.
8. A long shot
9. A medium shot
10. A close up.
11. What type of framing do you use for an interview?
12. When you are shooting an interview, who directs all the technical talent?
13. What do you want to avoid in your background to get good video?
14. Where would you put your subject if you had to interview them in this room?
15. If you could control the equipment, what would you do in this room to get quality audio?
Turn in your answers in a word document when you are done, and Mr. Vela will model a video sweep for you. This is how you get B-roll to use with your interview.